Credits

As Writer/Director/Editor/Producer

Feature

  • Cost of Living – microbudget feature, completed January 2025. Currently seeking distribution.

Short Film

  • Conversation #19 Between Former Biochem Coursemates (2019)

  • Conversation #2 Between Eventual In-Laws (2018)

  • Intimacy (2017) – co-dir. with Jackson Hogan

  • Fishbowl (2016) – co-dir. with Jackson Hogan

  • The Laytons (2012) – co-dir. with Jackson Hogan and Emily Reynolds

  • Working Lunch (2009) – co-dir. with Emily Reynolds

  • Triptych (2008) – co-dir. with Emily Reynolds

  • Consumers (2007)

Music Video

  • One Day We Will Be The Trees - “A Tangled Fog Of Pulsating Yearning In the Shape Of A Woman”

Writing

Unproduced Short Films

  • The Thing In Itself. An elderly woman attends therapy as her adult son - who has become unable to identify people and things due to a severe brain injury - abandons the world of objects for a post-linguistic future.

  • The Wallet. A white collar worker seeks to return a discarded wallet he finds on the train, leading his own identity to unspool as he discovers the CEO it belongs to has descended into madness.

  • A Rupture. A cascade of traumatising events unfolds as a woman suffers a stroke in the middle of bathing her infant. Won Best Script at Sunday Shorts Film Festival.

Unproduced Feature Scripts

  • The Body Corporate. Crime drama. Two black-market doctors struggle to reconcile guilt and ambition after an illicit transplant they perform for a terminally-ill probation officer and his wife goes awry. The film is divided into four sections, each of which follows a different character’s perspective and reveals a new layer of the narrative. Reached full read stage in BBC Writersroom 2014, in top 5% of almost 3000 submissions.

  • Father. Feature family drama. After the sudden death of his mother, a 10-year-old boy moves in with his estranged father, who it soon emerges is a celibate paedophile.

  • Panopticon. Comedy-drama. In a near-future London, various forces within a government data-gathering agency vie for control in the face of a cell of leftist saboteurs who threaten to overturn the whole system.

Unproduced Television Scripts

  • “The Word”. US-set drama pilot set in the world of cult deprogramming in the 1980s.

Other Film/TV Writing

Short Fiction

  • The Problem of the Acnestis (Feb 2025). Unpublished.

  • Pretty Well A Damning Indictment Of Just Where Things Are Headed To These Days (Jan 2025). Unpublished.

Script Editing

  • One-Ten – feature script by writer/director Marcus Flemmings (https://www.imdb.com/name/nm4621058/). Work done in February 2019, as yet unproduced).

  • Ambulance – feature script by writer/director Marcus Flemmings. Work done in February 2018, as yet unproduced).

  • Get Out of Jail, Free – feature script in development, written by Tom McNie. Work done in January 2018, as yet unproduced.

  • Seeing Green - short film, dir. Tom McNie. Story Editor. https://vimeo.com/444816764

  • People You May Know – short film, dir. Louisa Fielden. June 2017. https://watch.fearless.li/programs/people-you-may-know

  • The Drone Sound of Buddhist Chants - short film produced by Square Eyed Pictures, dir. Stefano Pietrocola. October/November 2015, ultimately unproduced.

Script Reading

  • Protagonist Pictures – occasional script-reading on a freelance basis. 2018.

  • iShorts and Funny Girls – Script-reader for short film development scheme run by Creative England and Big Talk. September 2014.

  • Bafta Rocliffe Forum – Script-reader pool for Comedy Showcase, 2014.

  • Amber Entertainment – Month-long development assistant work experience. November 2013.

  • Big Talk – Freelance script-reading. Intermittent between late 2013 – early 2014.

Music Scoring

Camera Operating

Other Roles

  • Assistant Director on The Whole World Blind (Or: The Ballad of the Cuck and the Eunuch) – short film dir. Finbar Somers and Seán Mackey. https://umbramotionpictures.com/twwb

  • Production assistant/editor producer for Grizzly Visuals on “Loose Grip” by Dee WP – https://vimeo.com/138033631

  • Production assistant/editor producer for Grizzly Visuals on “Changed” by M.E.L – https://www.youtube.com/watch?v=3MbXVaP1u48

  • Many roles for factual television, primarily as an archive producer/researcher, and as a data wrangler. CV available upon request

Kit/Post-Production

  • I own a Blackmagic Pocket Cinema Camera 4k and basic shooting kit, which I’ve shot most of my recent work on.

  • For editing, I primarily use Adobe Premiere Pro, and am proficient in After Effects, Audition, and Media Composer.

  • For colour grading, I primarily use DaVinci Resolve.

  • For music production, I primarily use Garageband.